Just got done watching the Back to the Beginning show for Ozzy and Black Sabbath. There are a few things that stuck out to me. Lizzy Hale killed the Perry Mason cover. Lamb of God was out of tune. It was good to see Jake E Lee, even though David Draiman rushed the vocals into Shot in the Dark. Nuno Bettencourt is a freaking guitar god and was the MVP of the night. Pantera surprised me with two Sabbath covers and they sounded great. Slayer probably shouldn’t have retired, they kicked ass. Metallica is the richest metal band in the world but they must not pay their guitar techs enough to keep their guitars tuned. Axl Rose was terrible, his vocals on Sabbath Bloody Sabbath sounded like someone doing karaoke that never heard the song before. Gojira is super tight and awesome

**Reflecting on “Back to the Beginning”: A Farewell Worth Every Penny**

 

Just wrapped up watching *Back to the Beginning*, and I’m still processing everything. This was more than a concert—it was a generational farewell, a chaotic celebration, and a love letter to heavy metal’s roots. There were highs, lows, surprises, and emotional gut punches that made it unforgettable.

 

Let’s start with the standouts: **Lzzy Hale absolutely crushed “Perry Mason.”** That performance alone made the ticket worth it. **Nuno Bettencourt** was hands-down the MVP—his solos were otherworldly, technical and soulful. **Gojira** proved why they’re one of the tightest bands in metal right now, and **Pantera’s two Sabbath covers** were surprisingly on point, a perfect balance of tribute and raw power.

 

On the flip side, **Lamb of God** sounded off-key, and **Metallica**, for all their wealth and legacy, really need to invest in better guitar techs. Tuning issues aside, they played with energy, but it was distracting. **Axl Rose’s take on “Sabbath Bloody Sabbath”** was painful—felt more like bad karaoke than a tribute. And **David Draiman**, while energetic, rushed through “Shot in the Dark,” not giving Jake E. Lee’s moment enough space to breathe.

 

Still, **seeing Jake E. Lee**, **Bill Ward**, and **Geezer Butler** all together again was surreal. Bill gave it everything—impressive for 77—and Geezer was a beast on bass. Black Sabbath’s timing was loose, but emotionally? Powerful. And **Ozzy’s solo set**? Genuinely moving. I teared up during “Mama, I’m Coming Home,” realizing I’d never hear it live again.

 

The revolving stage was brilliant—more festivals need this. It kept the energy up and transitions smooth. Despite a few stumbles, the overall sound quality was solid throughout.

 

Bottom line: No regrets. This was history in real time. What did everyone else think? Did it hit you t

he same way?

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