Here is the accurate English translation of the revised text with Robert Plant: — “He didn’t choose rock… he chose the ones who once held his soul.” In his final months, Ozzy Osbourne quietly wrote an unfinished ballad titled “The Last Ember” — as tender as the fading strength left in his voice. But the sacredness of the song wasn’t in its melody… it was in the one he entrusted it to: Robert Plant. At a private funeral just outside Birmingham — no spotlight, no press — they stood beside his casket. No announcement. No grand entrance. Only a prayer set to music: a duet the world had never heard before. “The Last Ember” was sung like the final breath of a legend. And when the last note faded, Sharon Osbourne wept — not for the loss, but for the gratitude. Because he left the world the way he always wanted: quietly, deeply, and loved.

**“The Last Ember”: A Final Song, A Final Gift — Ozzy Osbourne’s Farewell Through the Voice of Robert Plant**

In the final, fragile months of his life, **Ozzy Osbourne** did not seek fanfare, headlines, or one last spectacle. Instead, he returned inward—toward the music, the memories, and the men who once helped shape his soul. It was in this quiet reflection that he composed what would become his unfinished final ballad, *“The Last Ember”*—a hauntingly beautiful piece whispered more than sung, as delicate as the strength he had left.

But Ozzy didn’t intend to sing it alone. He entrusted the song to a voice he revered not only for its power but its soul: **Robert Plant**.

At a private funeral just outside **Birmingham**, far from the chaos of cameras and crowds, Plant stood at Ozzy’s side one last time—not as a rock legend, but as an old friend. There were no press releases, no stadium lights. Only a small gathering of those who truly knew the man behind the myth.

Together, they gave *“The Last Ember”* its voice—a duet never released, never rehearsed, and never meant for public ears. Just one moment. One final prayer.

Plant’s voice, weathered and warm, wove around Ozzy’s unfinished verses like smoke around fire. The song rose, cracked, and lingered—less a performance, more a communion. And as the final note dissolved into silence, **Sharon Osbourne** wept—not for loss, but for love.

Because Ozzy didn’t leave this world in noise and chaos. He left it as he had always secretly wanted to—**quietly, deeply, and surrounded by love**. A farewell not of fire and brimstone, but of glowing embers, gently fading into the night.

And with it, *“The Last Ember”* became not just a song—but

a benediction.